I never thought a day would come when a Nobel Prize announcement would feel Rock and Roll, but it is definitely the case today! Sure Bob Dylan is known primarily as a folk, blues, and country singer, but the mere fact that a musician’s work is acknowledged by the Academy is quite revolutionary in itself…because it is the very first time in the history of the Nobel Prize in Literature that this has happened. Dylan is also the first American to win the Nobel Prize since Toni Morrisson in 1993.
However, this is far from being the first award he has won for his work, as he already can count one Academy Award, one Golden Globe Award and no less than 11 Grammy Awards in his collection.
The Nobel Academy crowned his achievements by awarding him “for having created new poetic expressions within the great American song tradition”, preferring him to the famous Japanese novelist Murakami or this year favourite, the Kenyan author Ngugi Wa Thiong’o.
Once the initial surprise has passed though, the decision of the Academy definitely doesn’t seem unjustified. Even if Bob Dylan’s voice defied conventions and rallied counterculture in the sixties, he is now 75 years old and the cultural moment he marked now belongs to the classical heritage of American Literature.
Bob Dylan had solid footing into the literary world already. He and the famous poet Allan Ginsberg were very close friends. Here is what Ginsberg had to say about his cultural impact and aura:
“His image was undercurrent, underground, unconscious in people…something a little more mysterious, poetic, a little more Dada, more where people’s hearts and heads actually were rather than where they ‘should be’ according to some ideological angry theory.” San Francisco, 1965 (Excerpt from Deliberate Prose: Selected Essays, 1952-1995, A. Ginsberg)
Several clips featuring Bob Dylan were indeed playing at the Beat Generation Exhibition in the Centre Pompidou this summer in Paris, presenting him as a major actor of the American avant-garde of the sixties. Here are some great lyrics that let you see his poetic talent even without the accompaniment of the music (even if you won’t get the whole experience without listening to the songs!):
From Subterraneans Homesick Blues (you can see Ginsberg in the background of the video; this video clip was playing at the Pompidou exhibition):
“You don’t need a weatherman to know which way the wind blows.” (1963)
From The times They Are A-changing:
“Come mothers and fathers throughout the land,
And don’t criticize what you can’t understand
Your sons and your daughters are beyond your command” (1964)
From Mr Tambourine Man:
“Yes, to dance beneath the diamond sky with one hand waving free,
Silhouetted by the sea, circled by the circus sands,
With all memory and fate driven deep beneath the waves,
Let me forget about today until tomorrow.” (1965)
From It’s alright, Ma (I’m only bleeding):
“Temptation’s page flies out the door
You follow, find yourself at war
Watch waterfalls of pity roar
You feel to moan but unlike before
You discover
That you’d just be
One more person crying.”
And a personal favourite from Maggie’s farm:
“Well, I try my best,
To be just like I am,
But everybody wants you,
To be just like them.” (1965)
It might be time for a Bob Dylan songbook leaving the lyrics in their bare beauty! And now, time to enjoy even more good music to celebrate!
Bob Dylan and Ginsberg in front of Kerouac’s grave
At 2.45pm on 6th October, with a retinue of publishing students bearing boxes of precious periodicals, Nikki Simpson (Business Manager at the PPA – Professional Publishers Association) strode through the seemingly endless corridors of the University of Stirling. She was a woman with a mission. Her aim, to convert Unbelievers – those students convinced that their future lies 100% in the world of book publishing rather than that of the magazine.
There are three areas of periodical publishing – Consumer, B2B and Contract. The boxes were soon opened and magazines representing each of these areas passed around. To appreciate magazines, it’s vital to get hands on and we certainly did. Delighted sounds filled the room as we were given a design lesson in the art of the mag. Everyone is familiar with the glossy mag, but what caught the imagination in Nikki’s presentation was the sheer variety of paper stock used and glorious typography and images. Smooth, matt, cut outs, glow in the dark, QR codes, VR – seemingly unlimited creative options. Titles like Modern Farmer, Delayed Gratification, Boat, Little White Lies, Oh Comely, ‘Sup, the Gentlewoman and Hot Rum Cow had many fans and turned the head of many a committed book careerist on the day.
When, on Sunday 2nd October, news started trickling in about the Italian author Elena Ferrante’s 
About four years ago a friend casually asked if I could proofread some work for her employer, a major publisher in Kenya. I gladly accepted because I’d make extra money off it. I was then working as newspaper reporter, having left a language teaching job. I received a lot of freelance work thereafter through referrals. I turned this freelance experience into a full time job as an Assistant Editor with