books

Kiley Pole, MLitt Publishing Studies 2014-2015

October 7th, 2014 by Kiley Pole | Posted in Student Profiles | Comments Off on Kiley Pole, MLitt Publishing Studies 2014-2015
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10690336_10154601180970510_4246123074955421661_nWriting about oneself is always difficult, especially when coupled with the idea of having to post it on the internet. There are too many considerations, especially for someone like myself who does not enjoy the spotlight. I suppose I should just “lay it out there” and go forward from that point.

I was born and raised in Ontario, Canada. To be more specific I’m from London Ontario Canada which just confuses a lot of people because of the really famous London in the UK. Here at least I can clarify. I did my undergraduate studies at Western University in London Ontario. There I studied French Literature and Spanish Linguistics.

How did I get here? I studied in France for a year of my undergraduate degree and while I was there I made the trip to Scotland. In all of my travels, I have never felt so at home as I do in Scotland. When the opportunity to study here, at Stirling University, came about through the MLitt in Publishing Studies I could not say no. It was a long, hard journey (both literally and metaphorically, I have the worst luck with traveling) to get here and thus far it has been worth it.

To say that I love books would be redundant, if I didn’t love them in some or in my case, every capacity I would not be here. What I am hoping is that through this programme of study I will be able to expand that love to all aspects of book publishing.

Martins the Printers

April 24th, 2014 by Aija | Posted in Blog | Comments Off on Martins the Printers
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How are books made? If you ask a publishing student, you are in for an earful on the wading through a pile of slush in the hopes of discovering the next Hunger Games-trilogy or the next Booker Prize winner – something that stirs either financially or inspirationally. After that you will get an in-depth description of the editing and the decision-making processes all the way from typesetting, cover design to the final version. You might hear about the printing but the emphasis definitely is in the processes pre- and post-printing. That is what we know. That is what we can do. A publisher would not explain the whole printing process not as much for the lack of knowledge than for the fact of it being very mechanical and very distant form the publisher’s actual job. Therefore, the class of 2014 was in for a treat when we got to visit Martins the Printers at Berwick-upon-Tweed and get that rare glimpse to the inner workings of the printers.

David Martin, the sales director at Martins the Printers, kindly welcomed our group and gave us some history to the printers (printing since 1892 with newspapers and since 1950s they have focused on books) before unleashing us in two smaller groups to the belly of printers. Our guide Paul Waugh took us through each of the specific processes required in making a book, showing us the function of each machine and explaining in detail the time frames, the order in which each step is made and the differences between litho and digital publishing. As David and Paul both emphasised that is good for us young publishing hopefuls to know: the biggest differences that have come up through developments in printing is the effective cuts in costs; no more warehousing and the whole process is becoming faster and cheaper, enabling publishers to keep up with times and move their stock much easier – and this is definitely where the future of publishing is steadily moving towards.

The best way to show the process of printing is to visualise it through the snapshots taken through our tour.

Paul showing a printing plate

Printingplate2

 

First of all we went to see the creation of the printing plates, and how the printing plate is then entered into the machine that in the offset printing (economic way of producing large quanitites in one go) prints on the large sheets of paper before those sheets are taken to the next step.

Folding1

Printingplate3

 

The next step is the folding. The machine actually folds the large print sheets into correct combinations of pages and spreads. The man standing there then stags the fold onto a gurney, ready to be wheeled to the next step.

 

SownAfter the folding the pages are then sown together, the binding and glueing ready to be made. After sewing the covers get glued on and a version of the paperback is done.

 

The boys at the glueing machine were over-zealous in their testing, ripping Gluedcovers2covers and pages apart, destroying perfectly well-made ready books for the sake of testing. Heartwrenching. As seen in the above picture of tossed pages and covers of Tim Burton’s book. Never thought I could make such girly shrieks.

 

 

FinalisingThere is one more machine to be mentioned, besides the amazing hand-made Warmbookwork that follows each procedure to ensure perfection – and that is the “finaliser”. It is a machine that rounds the corners and compacts a hardback, to give it that book-look. There is nothing better than having that fresh-from-the-oven book in your hand, warm like a roll on  Sunday morning.

 

Definitely a tour every publisher needs to make regularly to keep up with the changes happening in the developemnts, and to understand the actual process of printing. It is a process to be appreciated and respected. It takes knowledge and skill and is an integral part of book making. Insightful.

 

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Our excursion ended with a long-awaited visit to Barter Books!

Aija Oksman, MLitt Publishing Studies 2012-2014 (PT)

November 26th, 2013 by Aija | Posted in Student Profiles | Comments Off on Aija Oksman, MLitt Publishing Studies 2012-2014 (PT)
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My interest in publishing stems from being read to when I was a child, growing up in very literary oriented surrounding and having done my undergraduate in Literature and Linguistics at the University of Salzburg. My time in Edinburgh is split between the MLitt Studies, my two jobs and volunteering for Rock Trust. I enjoy being busy, I enjoy putting my gathered skills in actual use and I look forward to be part of publishing world.

I have lived as an expatriate (so far I have lived in Finland, Belgium, Ireland and Austria) for over thirteen years, I have developed a new appreciation for my own language as well as for translated literature. Therefore, my personal interests have been developing towards literary agency and marketing, as well as minority and international literatures – so the ultimate dream would be to be able to find my place in the world where I could combine most of that. That, or alternatively I could open my own little restaurant, with walls covered in bookshelves. Food for the tummy and mind.

London Book Fair and Digicon 2013

May 11th, 2013 by Blake Brooks | Posted in Blog | Comments Off on London Book Fair and Digicon 2013
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Blake Brooks, MLitt in Publishing Studies student, reports on London Book Fair and Digicon 2013:

It’s been an intense year of studying and interning, going from being a freshly graduated undergrad to hardcore postgrad, and all that energy and learning culminated in two events in April: The London Book Fair and the Interactive Scotland Digital Conference (Digicon).

Although as a Londoner the London Book Fair was a chance to go home, the trip was still predominantly about working, networking and seeing the publishing industry in practice. Still, even a lifelong Londoner like myself can underestimate journey time, and so at 9.30am on the Monday morning I went dashing into Earls Court trying to get to my first seminar. I only paused briefly to marvel at the stands that stretched out before me like a hundred tiny showrooms, a sea of metal squares with banners and photos all vying for attention.
Whilst I enjoyed the seminar, I felt somewhat disorientated and so decided to forgo my next intended one for a chance to walk around and familiarise myself. However that feeling of disorientation never went away. I found I largely spent my time trying not to crash into the marketing executive of HarperCollins, desperately attempting light hearted and jovial conversation with stern-faced and unamused stall-dwellers, and smiling with nervous hope at disinterested business people rushing from meeting to meeting with no interest in anyone with the word ‘student’ emblazoned across their badge.

A world away from the rush of the main fair, I did enjoy the seminars and I was even invited to partake in some meetings with my internship company Saraband, which were interesting, nerve-wracking, and brilliant. I felt like everyone was communicating in another language, but every now and then I caught familiar words or had a feeling I knew what they were really talking about, and I loved it when I had something I could contribute, though for the most part I preferred to listen.

I did however find it disheartening how little care was shown for students (theoretically the future of the publishing industry) and how hard it was to approach people, even at networking events. I’m not a wallflower but I really struggled, and some people were just downright rude when you did try. That’s also the feedback I’ve received relatively unanimously from the other Stirling students, too.

However the Fair itself is definitely worth going to; a great educational experience that is interesting and often enjoyable. I loved sitting with a glass of wine and chatting publishing with those I had connected with, I enjoyed live-tweeting in excess until my batteries died, I smiled as I played LBF bingo in my head and ticked ‘William Boyd’ off my list (but not a bin, which were few and far between).

The seminars were interesting, although I only made half of my intended ones as my feet hurt and my energy ran out as the days are long and tiring. The stalls were fascinating, especially seeing how some were so open and full of life like Penguin and Button Books, whilst others, like Canongate and Lonely Planet, built both literal and metaphorical walls around themselves. Many people at stalls encouraged conversation, others were all business and meetings. Overall I left with two business cards but fifty new twitter followers, a heavy heart but an enthused mind, and a sense that the publishing industry was not going to be quite as kind to me as I’d once thought – even though I also came out feeling like those that were kind were more than making it up for those who weren’t.

Digital Day was a totally different and utterly positive experience by comparison. I showed up expecting it to feel much like the London Book Fair, which, by this point, I’d reflected on as a worthwhile but disappointing experience. However, we were greeted in a small room by tea and breakfast rolls, surrounded by small stands that were open and welcoming, much more like a market than a fair.

This was a more casual, interesting and positive event and, as the main conference started, I was curious to see what the core of it was about. Digicon doesn’t quite specialise in publishing, although Pearson were there, telling us all about teaching our three-year-olds Mandarin using the iPad, and much of it does relate to the industry.
I tweeted everything and garnered numerous new followers, as I sat at the back of the conference room watching hundreds of faces lit up in the dark with the glow of tablets and phone. Everyone was excited, everything seemed fascinating, and best of all there were limitless supplies of tea. The afternoon seminars were even better, with one on ‘brand identity’ and one on ‘visibility and marketing’. The seminar leaders were funny, charismatic and confident, they led interesting discussions and imparted wisdom that felt worthy of writing down. When I came out my mind was abuzz with marketing ideas and I wandered around the stalls happily chatting with professionals who were open and friendly, undoing all the self-doubt I’d felt after LBF. The networking event was wonderful, I had a lovely time drinking free wine with Sara and Catriona (from Publishing Scotland and alumni of the course) whilst talking to numerous people. I didn’t feel awkward handing over my card, or taking anyone else’s, and my smile felt genuine this time. Although it’s perhaps not as necessary to go to Digicon I felt it was a great experience and perhaps more beneficial than LBF, especially if you’re interested in digital technologies.

I’ve come out of both events feeling that they were beneficial and I definitely got something out of both. I think the London Book Fair is an important event, it’s good if you are interested in publishing in general, but it is not a networking event as everyone is busy and students are largely superfluous. Still, the companies I did interact with; Cargo, Forlaget Hetland, Saraband, Freight, Button Books and Publishing Scotland; were all wonderful, open and kind.

Digicon is an optional addition to the publishing calendar, but a truly enjoyable experience and I think worth going to if you can afford it. You can reap the ticket cost back in food and drink easily (the entire day is catered) and the advice and guidance in the seminars was more useful and inspiring than anything I heard at London Book Fair.

However perhaps the best recommendation I could give is to say do it all. Both experiences were beneficial even if not totally positive, both were educational, both were enjoyable at times and all that I’ve learnt will help me in the future. so it’s worth it.

‘An overwhelming bias to the physical book’ – John Seaton

April 7th, 2013 by Stefani Sloma | Posted in Blog | Comments Off on ‘An overwhelming bias to the physical book’ – John Seaton
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Every Thursday we here at the Stirling Centre for International Publishing and Communication are visited by a guest speaker, someone in some way associated with the publishing industry, who joins us for an afternoon lecture and chat. On 21 March we had a fascinating talk from John Seaton, the inventory manager at Canongate Books. John has been in publishing over 30 years, working at major publishers like Penguin and Simon and Schuster, and he’s been working with Canongate’s backlist for the past three years.

John began his talk by explaining the value of books, the fact that you can get so much for your money. John told us that he’d drunk the equivalent of FIVE books the night before at the pub! John’s career in publishing has been long and impressive, we found out as he detailed his involvement in such projects as the Faber Finds programme, an imprint of Faber that aims to find and make available many of the great classics and authors no longer in print. All of the books at Faber Finds are entirely Print On Demand, meaning they require no stock space. He went on to explain some of the challenges faced when working with a backlist. When he joined the team at Canongate he was asked to review the backlist and to revive the titles he found there. Some of the titles didn’t sell enough to warrant a standard reprint; these books, however, were perfect for short run printing. On the other hand, some books don’t flourish with this technique either, making them great for POD.  Because of his long standing career in backlist publishing, John told us that more often than not, he intuitively decides when it’s the right time to reprint and what kind of printing he should go with. While this might not seem like the safest way forward, John’s obviously proven to be successful with his decisions, and it just demonstrates that more experience makes for more knowledge.

John also spoke to us about his feelings towards e-books and their effect on the publishing industry, stating he wouldn’t speak much about e-books as he has a ‘bias towards print’. Despite saying this, John had a very optimistic point of view on the effects of e-books, saying that he didn’t feel that they would replace the physical book. He said he did feel that e-books were changing the physical book, but in a good way; the specifications for physical books are getting better, such as the choice and quality of the paper used for printing. While the physical book might change, it can’t change entirely. John said that the physical book is an excellent example of ‘sufficient technology’ that will see out our lifetimes, which tells you everything need to know really.

@StefaniSloma

Mariclaire White, MLitt in Publishing Studies 2012-2013

January 23rd, 2013 by Mariclaire White | Posted in Student Profiles | Comments Off on Mariclaire White, MLitt in Publishing Studies 2012-2013
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I began considering a career in Publishing while studying MA English Literature and Film Studies at the University of Dundee. During summer break between 3rd and 4th year, I became a marketing intern for a comedy company during the Edinburgh Fringe Festival. The job was frantic, consuming and required a lot of walking around rainy Edinburgh promoting a show alongside hundreds of competitors. While this may sound like hell to a lot of people, the reward of seeing a member of public you had encouraged at the show, was completely worth it. Once University began again, I sought a way to combine a lifelong interest in literature with my newfound passion for marketing, leading me to the logical choice of working within the publishing industry.

Whilst researching postgraduate degrees, I was immediately attracted to the MLitt in Publishing Studies at Stirling due to its reputation as a Centre for International Publishing and Communication as well as its excellent links to the publishing industry. In order to finally make up my mind about applying, I spoke to a former student who could not recommend the course enough and I have not been disappointed. I am so excited to progress with my studies and put the skills I learn into practice in the real world! You can find out how my studies are going on twitter!

Qinyu Sun, MLitt in Publishing Studies 2012-2013

January 22nd, 2013 by Qinyu Sun | Posted in Student Profiles | Comments Off on Qinyu Sun, MLitt in Publishing Studies 2012-2013
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Hello, you can call me Safina, and  now I am studying on the MLitt in Publishing Studies course in the University of the Stirling.  I am from Shanghai which is located in the east of China. When I was an university student, I always invited my friends to visit the bookshops together and had a cup of tea. Now I have missed that style of life. Anyone who wants to do it with me will make me feel so excited

“Knowledge is the power.” It’s the familiar sentence for us to know during my life of studies in China. So that is one of the reason for me to further my studies here.

My undergraduate degree in Exhibition management and planning was completed in my hometown.  During that time, I took a lot of courses, such as marketing, public relation, economic, accounting, design and so on. I have to do some part time jobs with advertisement companies and some exhibitions. I like creation and design. Fashion is what I purchase now. So you can image that I want to be an editor in the fashion magazine. Design, planning and writing can make me become an editor in a fashion magazine’s company. I wish my dream will come true.

Now I have been here for several months, I have learnt a lot in the publishing major. If you want to more about my daily life, you can come to my facebook or Sina Weibo

My Bloody Brilliant Weekend at Bloody Scotland. :)

September 20th, 2012 by Stefani Sloma | Posted in Blog | Comments Off on My Bloody Brilliant Weekend at Bloody Scotland. :)
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The first full weekend I was in Stirling saw me volunteering at Bloody Scotland, “Scotland’s First International Crime Writing Festival.” I’d heard about the event before arriving in Scotland and offered to volunteer during the weekend. I am SO glad that I did. I had the time of my life!

Due to my previous experience volunteering at the Eudora Welty Writers’ Symposium at Mississippi University for Women, the Front of House Manager for Bloody Scotland, Dom Hastings, asked if I’d be willing to volunteer more than one four-hour shift. I wanted to say “Are you kidding me??!! DUH!” but I politely said, “I can be here whenever you need me.” I ended up being on the schedule all three days (Friday through Sunday) for pretty much the entire day; this was exactly what I wanted.

Friday was the first evening of Bloody Scotland, and I worked the Author Hospitality room, where I checked authors in to the festival and gave them their name badges and goodie bags. I also worked at and helped set up the reception for the authors, which was the kickoff for the festival. After the reception, it was back to Albert Halls for the opening session called, “Why Bloody Scotland?” featuring Alex Gray, Lin Anderson, and Ian Rankin. This session was followed by an author signing, which is where I started getting authors to sign my program (more on this later). I loved these duties because it meant that I was able to meet EVERY author who came into the Stirling Highland Hotel to check in. Friday Night Highlight: Ian Rankin remembered me! I’ve met him previously, as I interviewed him last year for my honors research project (“The City as Character: Edinburgh in the Works of Ian Rankin”), and I was hoping that he’d remember me when I saw him again. HE DID! It made my entire weekend. We had a short conversation about the future of publishing and editors at the reception before I left him alone so he could socialize with other authors.

Saturday began at 9 a.m. with the Author Hospitality room. I spent all of that day at the Stirling Highland Hotel. I worked FOUR signings that morning, meeting authors like Allan Guthrie, Sara Sheridan, Yrsa Sigurdardottir, Caro Ramsay, and more. After that I worked inside front-of-house for two events, which meant I operated the roving microphone and made sure the authors got to their signings after. My shift on Saturday was supposed to end around 3:30 p.m., but I was still needed so I didn’t leave until 7:45 p.m. I worked about 8 hours that day alone! Saturday Highlight: “Meet My Alter Ego” session with Gillian Galbraith, Aline Templeton, Tony Black, and chair Lin Anderson. At the session, the authors spoke as if they were their characters. This was fantastic, because at one point Gillian Galbraith spoke as her character about her author, so it ended up sounding something like, “Sometimes Gillian writes about things that even I don’t know!” or “She explains what happens to me even better than I could!” It was great.

Sunday was the last day, and I can’t even explain how sad I was about this. It was spent at Albert Halls, where I worked inside front-of-house and signing for “The Next Big Thing” with Jade Chandler, Yrsa Sigurdardottir, Val McDermid, and Barry Forshaw. While they didn’t stay on topic much, it was a laugh and very interesting. I also worked inside FOH and the signing for “A Formidable Duo” with Quintin Jardine, Anne Perry, and chair Peter Guttridge. Sunday Highlight: I was able to attend the dramatized performance of “The Red-Headed League.” Stuart MacBride as Holmes was amazing.

Every author I met this weekend was fantastic. Alex Gray remembered my name ALL weekend and called me “wonderful” and “a star.” I thought this was amazing. Also, Gordon Brown (not the ex-prime minister, but the red-headed crime fiction author, as everyone joked at Bloody Scotland) was one of the nicest guys I’ve ever met. I got him, Craig Robertson, Gillian Philip, and Gordon Ferris to sign books I’d bought by them. I also had TWENTY-FOUR authors to sign my program, which is something I will always treasure; I plan to have it framed! I am so glad that I decided to do this; I couldn’t afford to buy one book by every author I wanted to read and have signed, so I used my program. I think it was a great idea!

I learned a lot about publishing, and I came to realize that I’d one day like to work festivals. It has also fueled my love for crime fiction, and I think I would like to work with it in the future. I think Bloody Scotland is one of the most amazing things I’ve ever been involved in.

I’ve since had a few of the authors follow me on twitter, which is an honor. I hope to keep in contact with them and see them again next year!

-Stefani Sloma

Book art, tea and Radio 4

June 17th, 2012 by Emma_Dunn | Posted in Blog | Comments Off on Book art, tea and Radio 4
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I have just spent a lovely week interning with the amazing Rachel Hazell of Hazell Designs Books. Rachel is many things in one; she is primarily a book binder, but also an artist, a teacher, a writer and a traveller. Her mission this year is to teach twelve different workshops in twelve different inspirational places, and write a book about the experience.

Rachel makes book art, from miniature, intricately bound books, to delicate sculptures using traditional techniques.  Her work is poetic, always extremely neat and detailed and no piece is ever the same. She takes inspiration from the natural world, from the wilds of Skye to the bleak, white beauty of Antarctica, and this is clearly reflected in her work: nautical themes run throughout, with a passion for miniature boats, old maps and the changing tide.

I was there to help her commission work for The Contemporary Craft Festival at Bovey Tracey in Devon this weekend, which is the sixth place on her list. From stamping and sticking to carving and cutting, Rachel allowed me to make all sorts, from tiny music envelopes to word art and miniature labels. I got to use a range of tools including the Japanese Screw Punch, which apparently is always a favourite. It was really interesting to the see the craft of book making at a time when digital books are at the forefront of everything, and to appreciate their tactile quality and how important it is to have both.

Overall, I had a thoroughly enjoyable week and would recommend anyone to intern with Rachel. I have a new appreciation for Radio 4 and was grateful for the many cups of tea and chocolate. I did do some traditional publishing related activities such as press releases and research, but it was nice to see the making of books from a different perspective.

For more information about Rachel and her books please see:

Facebook Page

Blog

– Emma Dunn

We love books. And domino chains.

March 13th, 2012 by cs48@stir.ac.uk | Posted in Blog | Comments Off on We love books. And domino chains.
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To celebrate World Book Night, a group of us at the Stirling Centre for International Publishing and Communication have decided to hold a book dominoes event* on April 23rd. The goal is to create the biggest book dominoes event possible, promoting a love of reading, Scottish literature, and Scottish Publishing. Of course, to achieve this lofty goal we need your book donations! We’re looking for any donations, great and small, and we are willing to pick them up by car if necessary. However, they do need to be able to stand up, fall over, and knock other books over. A strange way of judging literature, but there you go…

We’ve already had pledges of books from Alban Books, Cargo Publishing, Freight Books, the Gaelic Books CouncilPublishing ScotlandSaraband Books, and Stirling Libraries (thank you!). Blasted Heath are going to see if they can make their ebooks stand up for us! (Though we think p-books probably win here…)

If you would like to participate, please email: stirlingbookdominoes@gmail.com. You can also follow our exploits on Twitter via @stirpublishing and the hashtag #stirbkdominoes

We will release details of the event itself closer to the time. If you’d like to come and watch, contact us via the email above.

*We love books, and we promise to love your books, too. No books will be harmed in the making of this event and loaned books will be returned to their respective owners.

– Alicia Rice