Paula Morris

Paula Morris Lecture – How the Novelist Sees the World…

January 23rd, 2013 by tsarchdeacon | Posted in Blog | Comments Off on Paula Morris Lecture – How the Novelist Sees the World…
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… With great big sweeping Venn diagrams to connect the myriad of people and organisations that contribute to the life-cycle of a novel. With detailed characterisations and in-depth analyses of the interplay between each Venn bubble, with a structured flow and a bit of conflict to keep it all moving nicely along. Novelists see the world (of publishing) as a fascinating place that might be much akin to the worlds of their books.

There are four kinds of people in the world, none of whom a novelist is particularly enamoured with:

  • Gatekeepers. Agents, publishers, booksellers, the media, festivals, and prizes.
  • Rivals. Other writers. (Note: ‘rivals’ and ‘friends’ are by no means mutually exclusive. Or so they would have us believe.)
  • Necessary Evils. The public, online reviewers, book clubs, festival audiences, etc.
  • Enemies. Yourself. Money. The world at large.

And yet novelists have far more to worry about than these frustrating gnats that surround them. Worries such as publicity, for one, which is an increasingly important aspect of the novelist’s life. It is no longer an isolated art; writers need to be actively engaged with the world through social media and self-promotion. They’re constantly bombarded with people asking questions or favours. They get e-mails by the giga-load.

Then there’s the insecurity. Writers are a ‘whirlwind of insecurity’. Will their next book be their last? Will it be a failure? It’s a life of unstable income and of second jobs – fixing, ghost writing, journalism, anything to keep writing.

It takes a hell of a lot more than talent to get published. It takes persistence and discipline, luck, ego (a.k.a. ‘drive’) and often a very thick skin. It takes a healthy aversion to reading too many reviews and the ability to ignore the call of the market (or risk becoming a hack). A good pen and a few nice turns isn’t enough anymore.

So all this begs the question… why? Why would anyone choose to take on such a career?

‘It’s not a career, it’s a vocation’, Morris said, ‘you should be doing it because you would be miserable doing anything else’.

See more from Paula Morris at her website.

-Talis S Archdeacon

The Insecure Life: a Writer’s True Story

November 6th, 2011 by Rachel_Chase | Posted in Blog | Comments Off on The Insecure Life: a Writer’s True Story
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Rachel Chase, MLitt in Publishing Studies student, reports on our latest Visiting Speaker:

Paula Morris, a fiction writer and lecturer at the University of Stirling, talked about the life of a writer—warts and all. And yet, even after detailing the hard aspects of such a career, she said, “I wouldn’t change what I do at all.”

Paula dispelled two central myths in her lecture: 1) an author’s career is one of complete isolation and 2) if you’re good enough, you’ll get published.

An author’s career is one of complete isolation . . . think again.

Although the writing itself may be isolated, Paula pointed out, a huge part of an author’s career is a collaboration—it’s all about relationships. The author must have important relationships with the agent, editor, rights buyer, publicist, readers, other writers, designers, and sales and marketing. Some connections are direct ones while others exist via the agent or editor. But all of these relationships are important.

However, a writer cannot rely on the publishing company to do everything. Increasingly, authors need to market themselves and their products. Paula, who has a background in marketing, finds it more productive to get up and do something to promote her latest titles than gripe about what the publishing company is or isn’t doing. The digital wave has not only rocked the publishing industry as a whole, but it has also put a burden on authors to have a digital presence. Blogs, websites, Facebook pages, and tweets all take time. Paula wisely advised to be careful what you say online. You never know who is reading.

The life of an author is a busy one. It is a life of constantly dealing with people who want something from you: answers to questions, a review for another book, a free book, a biography for an event, a manuscript read, an introduction to your agent, a lecture, and so on. Writers have much more to think about than simply writing books; they have to give interviews, visit writer’s groups, visit schools, appear at festivals, attend meetings with agents and editors, work with accountants, answer e-mails, update websites and blogs, attend photo sessions, fly to various parts of the world, organize book launches, visit booksellers, and much more. There may be many words to describe the life of a writer (busy would certainly be on the list), but “isolated” is not one of them.

If you’re good enough, you’ll get published . . . simply not true.

Books are a commodity and publishing is a business. It is the market that dictates whether a book sells or not, regardless of its intrinsic value. To be a published writer, you need luck, timing, the support of other people, and market forces in your favor. For an author, every new book is riddled with the fear that it could be his or her last book. “It’s an incredibly insecure life,” Paula said.

Yet despite the difficult aspects of making writing a career, Paula announced, “I wouldn’t change what I do at all.” It is a hard road but a rewarding journey for those who want to make writing a career. Thanks Paula for your insights! You can check out Paula’s website here.